The Beyeler Foundation owns and oversees the art collection of Hildy (1922-2008) and Ernst (1921-2010) Beyeler. In 1982 they commissioned Renzo Piano to design a museum to house their private collection. By building Renzo Piano's museum structure in 1997, the Beyeler Foundation made its collection permanently accessible to the public.
The Beyeler Foundation presents 140 works of modern classics, including 23 Picassos. The overall collection of 200 works of classic modernism highlight features typical of the period from Claude Monet, Paul Cézanne and Vincent van Gogh to Pablo Picasso, Andy Warhol, Roy Lichtenstein and Francis Bacon. The paintings appear alongside some 25 objects of tribal art from Africa, Oceania and Alaska. A third of the exhibition space is reserved for special exhibitions staged to complement the permanent collection.
The culmination of Beyeler's career came in 2007 when all the works that passed through his hands were reunited at the museum for a grand exhibition that included van Gogh's 1889 Portrait of Postman Roulin, Lichtenstein's Plus and Minus III and a huge expressive drip painting by Jackson Pollock. The collection is expanding, particularly in terms of works made after 1950 (recent acquisitions include pieces by Louise Bourgeois and Wolfgang Tillmans).
Situated adjacent to the museum building, the late-Baroque Villa Berower houses the museum's administration department and a restaurant.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.